function photo(i,c,m,q,d,j,h,o,p,a,l,f,k,b,r,n,g,e){this.id=i;this.galleries_id=c;this.photo_ref=m;this.section_code=q;this.src=d;this.width=j;this.height=h;this.caption=o;this.home=p;this.gallery=a;this.description=l;this.takendate=f;this.photographer=k;this.location=b;this.item_price=r;this.purchase_instruction=n;this.payment_groups_id=g;this.server_id=e;this.src=getServerPath(this.server_id)+"/"+this.src}function gallery(e,c,d,b,a){this.id=e;this.featured_images=c;this.title=d;this.section_code=b;this.photoIDs=a}var backgrounds=new Object();backgrounds[1185953]=new photo(1185953,"85254","","gallery","polytycheye.jpg",500,499,"neone Polytych (Eye) 2007 40x40cm<br>\r\n",1,1,"","","","",300,"Framed print","",15);backgrounds[1239473]=new photo(1239473,"86909","","gallery","beuys03sle.jpg",500,375,"neone Art Focus (3) 29x42cm ",1,0,"","","","",200,"Framed print","",15);backgrounds[1798414]=new photo(1798414,"85254","","gallery","NEONE (107).jpg",500,376,"neone Iterable 2007 29x42 ",1,0,"","","","",60,"Framed print","",15);backgrounds[1854343]=new photo(1854343,"85246","","gallery","manifesto021.jpg",500,714,"neone Manifesto 2002 70X100cm ",1,1,"","","","",500,"Framed print","",15);backgrounds[1185682]=new photo(1185682,"85246","","gallery","NEONE (41)1.jpg",500,623,"neone Manifesto in Mourning 2007 40x50cm<br>\r\n",1,1,"Due to the death of Modernism and the Avant-garde, neone felt it appropriate to create a memorial to its demise.","","","",500,"Framed print","",15);backgrounds[1186070]=new photo(1186070,"85258","","gallery","NEONE (60).jpg",500,571,"neone Untitled (the Death of Karel Appel) 2006 25x30cm",1,1,"Photo taken at Tate Modern.","","","Tate Modern",300,"Framed print","",15);backgrounds[1186142]=new photo(1186142,"85260","","gallery","cowboys.jpg",500,411,"neone Artist as ... (Cowboys: We are Cowboys) 1999 42x60cm <br>\r\n",1,1,"","","","",300,"Framed print","",15);backgrounds[1186280]=new photo(1186280,"86909","","gallery","beuys13eiaa.jpg",500,334,"neone Art Focus Groups (Beuys) 2005 29x42cm<br>\r\n<br>\r\n",1,1,"Everybody is an Artist(?)","","","",200,"Framed print","",15);backgrounds[1186075]=new photo(1186075,"85258","","gallery","revolutionweb.jpg",500,241,"neone We are the Revolution 2006 20x35cm<br>\r\n",1,0,"","","","",300,"Framed print","",15);backgrounds[1186107]=new photo(1186107,"85260","","gallery","atlas01.jpg",500,350,"neone Atlas 2007 29x42cm ",1,1,"An attempt at the impossible, and what would it look like?","","","",100,"Framed print","",15);backgrounds[1186330]=new photo(1186330,"212700","","gallery","blankcanvas.jpg",500,229,"neone Tabula Rasa (the Blank Canvas)<br>(Triptych) 42x60cm x2 prints (photo and text), blank canvas 30x40cm<br>\r\n",1,1,"One blank canvas (replica of oringinal blank canvas), a photographic print of the original blank canvas, and a text describing its history and its significance in the death of Modernism and the Avant-garde.<br>\r\n<br>\r\nTabula Rasa (Text)<br>\r\n<br>\r\nmod-ern-ism  /*  n. is the ideas and methods of modern art, especially when they are contrasted with earlier ideas and methods; a technical term.  EG ...that moment when modernism first discovered itself... ...American Late Modernism.<br>\r\npic-ture  /*  n.  1 (often attrib.)painting, drawing, photograph, etc.  2 total visual or mental impression produced; scene (the picture looked bleak).*  v.tr.  1 represent in a picture.  2 imagine.*  n.  1 portrait, depiction, representation, illustration, sketch, photo.  2 idea, notion, understanding, image; see also SCENE 6.<br>\r\na-vant-garde  /*  n.  pioneers or innovators, esp.  in art and literature.*  adj.  (of ideas, etc.)  new;  progressive.  a’vant’ -gard’ism n. a’vant’ -gard’ist n.*  n. vanguard, trendsetters.*  adj.  innovative, advanced, experimental; unconventional, eccentric, revolutionary, extreme.<br>\r\nread-y-made  /*  v.tr. 1 (esp. of clothes) made in a standard sized, not to measure.  2 already available; convenient (readymade-made excuse).*  adj.  1 off-the-rack.  2 handy suitable.<br>\r\n<br>\r\nthe blank can-vas  / a picture that was sent to the Royal Academy for selection in their Summer Show in 2001.  It was refused entry, not on the basis of whether it was or was not art.  Neither, on the basis of whether it was or was not a picture. It is/was a picture, just not a very successful one.<br>\r\n  The original painting was lost (the one represented here is a replica), after retrieving the original blank canvas.  The artsist lost or left the piece, on the No. 291 Bus.  No one has retrieved or been aware of the whereabouts of the original blank canvas, pheraps it has been given given back its function and someone else has painted over the original.<br>\r\n<br>\r\nthe death of mod-ern-ism and a-vant-garde art  / the blank canvas being both a pic-ture and a read-y-made, is both an example of mod-ern-ism and the a-vant-garde.*  modernism. (specific) formalsim, aestheticism, the reduction of its properties.  EG ...modern painting deals with its own properties, what makes it a painting, flatness, paint, colour.*  avant-garde. (generic) a testing of the conventions of both art and life.  An anarchic attempt to expand the boundaries of art, by destroying it.  EG ...using dialectics to find loopholes in what we accept as art, using objects and images we do not associate with art.  To ridicule, or to criticize.<br>\r\n*  the death of. the blank canvas is the picture reduced to its bare minimium, it cannot be reduced any further.  It is also both formal and aesthetic, as all things are.  The blank canvas is the logical conclusion of mod-ern-ism, as well as being an example of the a-vant-garde.  The a-vant-garde destroys mod-ern-ism with the blank canvas, but does not reconcile life and art, nor does it test either boundaries or conventions.  It fails due to its continuation and repetition.  Art is dead, long live Art.da-da-da<br>\r\n       ","","","",500,"Canvas and framed prints.","",15);backgrounds[3478658]=new photo(3478658,"212723","","gallery","pomotrip.jpg",500,420,"neone PoMo triptych 2008",1,1,"","","","",1000,"Canvas Triptych","",15);